Shades of Calcutta

It was maddening traffic outside. A yellow cab, some white ubers, motely crowd of audi, honda and few others were stuck on the red light as a procession for immersion slowly weaved its way on the road. A clay figurine of a God, probably Vishwakarma, the celestial architect and craftsman, was being taken for immersion after its puja. The young boys accompanying the idol enjoy a smoke between shouting slogans, the wind blowing the ashes right on top of the face of the deity.

Sometimes one wonders how many puja can there be. In Calcutta, each day becomes a day of puja, with the queen of all puja, the Durga Puja, stopping everything in mid for ten days. And we are only talking about the Hinduism culture. On another days there are the various forms of Id and sometimes innocent people sleeping are woken with sounds of exploding crackers at three in the morning , as another procession for Chhaat makes way, a primarily bihari migrant population festival.

Days without puja seem to be few and far in between. Noisy processions stop life midway. Commerce depends on these festivals. The central avenues get blocked and traffic stands waiting. In other cities while the policemen tell traffic to stop, in Calcutta, the policemen actually go on the street and wave the traffic to move ahead quickly as people and drivers slowly crawl on the road.

Such is the movement and languid pace of a city, once been and lost somewhere in its crowded culture.

 

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